Course title |
Modern Masterpieces of Western Drama |
Semester |
111-2 |
Designated for |
COLLEGE OF LIBERAL ARTS DEPARTMENT OF DRAMA AND THEATRE |
Instructor |
Wen-Ling Lin |
Curriculum Number |
Thea2026 |
Curriculum Identity Number |
109E21090 |
Class |
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Credits |
2.0 |
Full/Half Yr. |
Half |
Required/ Elective |
Preassign |
Time |
Wednesday 3,4(10:20~12:10) |
Remarks |
Restriction: within this department (including students taking minor and dual degree program) AND Restriction: sophomores and beyond The upper limit of the number of students: 45. The upper limit of the number of non-majors: 20. |
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Course introduction video |
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Table of Core Capabilities and Curriculum Planning |
Table of Core Capabilities and Curriculum Planning |
Course Syllabus
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Please respect the intellectual property rights of others and do not copy any of the course information without permission
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Course Description |
本課程將引領同學賞析西方自十九世紀現代戲劇開端到近代,包括挪威、美國、英國、義大利、法國等國的經典戲劇作品。 |
Course Objective |
培養學生理解所選經典劇本的形式、主題等專業知能
培養學生應用分析劇本的學科能力
培養學生發展創造力、表達力、與批判性思考的能力
(註:雖是EMI授課,課程目標仍在增強學生專業知能為主,而非改善英文能力為主) |
Course Requirement |
**教室座位數極限42名。若已滿額,無法加簽。若未滿額,欲加選此門課者,第一次上課務必出席,否則不予加簽。
*上課教室為學校未來教室(綜401),同學務必遵守教室規範。
*本課程為系上規定EMI英文授課,教師使用英文(偶或使用跨語言解釋對同學困難的概念),同學小組討論和報告儘量使用英文,惟可以視情況使用中文或跨語言。
*請務必帶指定的版本教材上課,以利上課討論與讀劇進行,
*主要以小組討論,佐以老師帶領的全班討論方式進行。同學被期待上課前完成當週指定劇本的閱讀,帶來你的問題與觀察,積極參與課堂討論。
*本門課要求準時上課,每次上課先小考,限定於教室內作答。
*務必遵循學術倫理與規範, 若有違反,則依校規處理, 該科零分,絕無例外。 如下列例子,但不限於此。 1. 抄襲(plagiarism): 所有的書寫報告,均不得抄襲。包括不當引用他人書寫、評論或網路資料,卻未註明出處來源◦ 2. 考試時作弊或幫助別人。 3. 讓別人替你寫報告 。 4. 在兩門不同、有算學分的課繳交同一報告,或報告內容大部分雷
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Student Workload (expected study time outside of class per week) |
三到四小時 |
Office Hours |
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Designated reading |
依上課週次順序排列:
(1) Glaspell, Susan. Trifles. In The Bedford Introduction to Drama, edited by Lee A. Jacobus, 5th ed., Boston: Bedford/St. Martin's, 2005, pp. 910-919.
(2) Ibsen, Henrik. A Doll House. Translated by Rolf Fjelde. In The Bedford Introduction to Drama, edited by Lee A. Jacobus, 5th ed., Boston: Bedford/St. Martin's, 2005, pp. 700-740.
(3) Wilde, Oscar. The Importance of Being Earnest. In The Bedford Introduction to Drama, edited by Lee A. Jacobus, 5th ed., Boston: Bedford/St. Martin's, 2005, pp. 761-793.
(4) Miller, Arthur. Death of a Salesman. In The Bedford Introduction to Drama, edited by Lee A. Jacobus, 5th ed., Boston: Bedford/St. Martin's, 2005, pp. 1126-1173.
(5) Pirandello, Luigi. Six Characters in Search of an Author. In The Bedford Introduction to Drama, edited by Lee A. Jacobus, 5th ed., Boston: Bedford/St. Martin's, 2005, pp. 920-945.
(6) Ionesco, Eugène. The Bald Soprano. In The Bald Soprano and Other Plays: The Bald Soprano; The Lesson; Jack, or the Submission; The Chairs, translated by Donald M. Allen. NY: Grove Press, 1982.
(7) Kane, Sara. 4:48 Psychosis. In Sarah Kane: Complete Plays: Blasted; Phaedra’s Love; Cleansed; Crave; 4.48 Psychosis; Skin. Methuen Drama, 2006.
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References |
閱讀劇本均有中譯本,若有需要,同學可以自行參酌 。少數劇本中譯本不只一本,建議如下
Susan Glaspell著 張妮娜譯 。《瑣事》臺北市 :書林。民88。(已經絕版)
易卜生著 林雯玲譯。 《玩偶之家》。臺北市 : 秀威。民110。
王爾德著 余光中譯。《不可兒戲》。台北:大地出版社。民98年。
亞瑟.米勒著 英若誠 譯。《推銷員之死》臺北市 : 書林。民95。
皮藍德婁著 陳玲玲譯。 《六個尋找作者的劇中人》。臺北市 : 臺灣商務。民87
伊歐涅斯柯著 劉森堯譯 。《禿頭女高音》於《伊歐涅斯柯戲劇選》。 臺北市: 桂冠。 民92。
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Grading |
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Adjustment methods for students |
Teaching methods |
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Assignment submission methods |
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Exam methods |
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Others |
Negotiated by both teachers and students |
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Week |
Date |
Topic |
第1週 |
(2/22) |
1. Course Introduction
2. Discussion and types of questions.
3. Brainstorm (a list of key words frequently used in analyzing plays) (a list of sentences provided)
**be sure to show up on time** |
第2週 |
(3/1) |
Trifles by Susan Glaspell《瑣事》(美)(1906) |
第3週 |
3/8 |
A Doll House by Henrik Ibsen《玩偶之家》(挪威)(1879) |
第4週 |
3/15 |
A Doll House |
第5週 |
3/22 |
The Importance of Being Earnest by Oscar Wilde《不可兒戲》(英)(1895) |
第6週 |
3/29 |
The Importance of Being Earnes |
第7週 |
4/5 |
No Class (Tomb-sweeping Day) |
第8週 |
4/12 |
Death of a Salesman by Arthur Miller《推銷員之死》(美) (1949) |
第9週 |
4/19 |
Death of a Salesman |
第10週 |
4/26 |
Six Characters in Search of an Author《六個尋找作者的劇中人》(義大利)(1921) |
第11週 |
5/3 |
Six Characters in Search of an Author |
第12週 |
5/10 |
The Bald Soprano by Eugène Ionesco《禿頭女高音》(法&羅馬尼亞) (1950) |
第13週 |
5/17 |
No Class (Production week/schedule not finalized yet) |
第14週 |
5/24 |
1.The Bald Soprano (continued) 2 The Zoo Story, 1958 by Edward Albee( date of making the change Apri.27; reason : previous text ,4:48 Psychosis by Sarah Kane (英)(2000), has too many medical terms,; its English is relatively difficult) |
第15週 |
(5/31) |
The Zoo Story (continued), review |
第16週 |
(6/7) |
Final Exam (期末考) |
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