課程資訊
課程名稱
 藝術史學導論
HISTORIOGRAPHY OF ART 
開課學期
 98-2 
授課對象
 學程  藝術設計學分學程  
授課教師
 劉巧楣 
課號
 Hist7139 
課程識別碼
 123 M6340 
班次
  
學分
 3 
全/半年
 半年 
必/選修
 選修 
上課時間
 星期三2,3,4(9:10~12:10) 
上課地點
 普305 
備註
 學士班欲修習者，可於開學後徵得授課老師同意，取得授權碼進行加選。屬「人文藝術類」。
限碩士班以上
總人數上限：20人 
Ceiba 課程網頁
 http://ceiba.ntu.edu.tw/982arthistoriography 
課程簡介影片
 
核心能力關聯
 本課程尚未建立核心能力關連
課程大綱
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課程概述

討論藝術史學史的發展脈絡，藝術品或圖像的多元解釋角度。以形式分析為基礎，導入內容的討論，包含圖像學、藝術與社會、心理分析、符號學、女性主義、性別研究、視覺文化等專題閱讀與討論。另有深入淺出的藝術教學影片討論輔助，補充修課者的西洋藝術史基礎。

課程進度
週次 日期 單元主題
1 Introduction
2 Screening: How art made the world
3 art history and art theory
4 Form analysis (1)
5 Form analysis (2)
6 Form analysis (3)
7 Iconography or iconology
8 art and society (1)
9 conference
10 art and society (2)
11 art and society (3)
12 Semiotics
13 Psychoanalysis (1)
14 Psychoanalysis (2)
15 Feminism
16 Gender question
17 Visual culture
18 conference

 

課程目標
 提供藝術史、圖像與視覺文化研究的學科基礎。 
課程要求
 指定英文閱讀與(中文)課堂及書面報告，並積極參與討論。

評量方式
課堂報告二次、讀書報告二篇，各佔25%。
參考課堂出席、參與。
 
預期每週課後學習時數
  
Office Hours
  
指定閱讀
 1. Introduction
2. screening: How art made the world.
3. Form analysis (1)
- David Summers, “‘Form’, Nineteenth-Century Metaphysics, and the Problem of Art Historical Description,” in The art of art history: a critical anthology, ed. by Donald Preziosi (Oxford : Oxford University Press, 1998), 127-142.
- Screening: How art made the world.
4. Form analysis (1)
- Alois Riegl, “The Place of the Vapheio Cups in the History of Art” (1900), in The Vienna School Reader. Politics and Art Historical Method in the 1930s, ed. Christopher S. Wood (New York: Zone Books, 2003), 105-29.
- screening: How art made the world.
5. Form analysis (2)
- Heinrich Wöfflin, Principle of Art History: The Problem of the Development of Style in Later Art, 1932. “Introduction,” “Linear and Painterly.”
- Film: Piero della Francesca
6. Form analysis (3)
- Meyer Schapiro, “Style,” 1953, in Theory and Philosophy of Art: Style, Artist, and Society (New York: G. Braziller, 1994), 51-102.
- Film: Caravaggio
7. Iconography or iconology
- Erwin Panofsky, “Iconography and Iconology,” in Meaning in the Visual Arts. (Chicago : University of Chicago Press, 1982, c1955)
- Film: Bernini
8. art and society (1)
- Arnold Hauser, “Sociology of Art,” 1958, in Marxism and Art. Writings in Aesthetics and Criticism, ed. Berel Lang and Forrest Williams (New York, 1972), 269-280.
- Film: Rembrandt
9. art and society (2)
- Michael Baxandall, “The Period Eye,” in Painting and Experience in Fifteenth-Century Italy; A Primer in the Social History of Pictorial Style (Oxford, 1972), 29-108.
- Film: Botticelli
10. conference
11. art and society (3)
- Thomas Crow, “The Salon Exhibition in the Eighteenth Century and the Problem of its Public,” in Painters and Public Life in Eighteenth-Century Paris (New Haven: Yale University Press, 1985), 1-22, 259-261.
- Film: David
12. art and society (4)
- T. J. Clark, “On the Social History of Art,” in Image of the people : Gustave Courbet and the 1848 revolution (London, 1973), 9-20, 170-172.
13. Semiotics
- Meyer Schapiro, “On Some Problems in the Semiotics of Visual Art: Field and Vehicle in Image-Signs” (1969), in Theory and Philosophy of Art: Style, Artist, and Society. Selected Papers, vol. VI (New York, 1994), 1-32.
- Film: Rothko
14. Psychoanalysis
- Sigmund Freud, “Leonardo da Vinci and a memory of his childhood,” 1910, in Sigmund Freud, Art and Literature (London, 1985), 143-231.
- M. Schapiro, “Leonardo and Freud: On Art Historical Study,” Journal of the History of Ideas, XVII (1956), 147-178; repr. in Theory and Philosophy of Art, 153-199.
- Film: Da Vinci
15. Feminism
- Linda Nochlin, “Why Have There Been No Great Women Artists,” in Women, Art, and Power: and Other Essays (New York: Harper & Row, 1988), 145-178.
16. Visual culture
- Timothy Mitchell, “Orientalism and the Exhibitionary Order,” Comparative Studies in Society and History, 31; rev. in The Art of Art History, 455-472.
17. art history and art theory (optional)
- David Summers, “Representation,” in Richard Shiff and Nelson Goodman, ed., Critical Terms for Art History, 3-19.
18. conference
 
參考書目
 Donald Preziosi, The Art of Art History: A Critical Anthology. Oxford: Oxford University Press, 1998. 
評量方式
(僅供參考)
    
課程進度
週次
日期
單元主題
第1週
 2/24  Introduction 
第2週
 3/03  screening: How art made the world. 
第3週
 3/10  Form analysis (1) 
第4週
 3/17  Form analysis (2) 
第5週
 3/24  Form analysis (3)
 
第6週
 3/31  Form analysis (4) 
第7週
 4/07  off 
第8週
 4/14  Iconography or iconology 
第9週
 4/21  conference 
第10週
 4/28  art and society (1) 
第11週
 5/05  art and society (2) 
第12週
 5/12  art and society (3) 
第13週
 5/19  art and society (4) /
work project: self-portrait, leadership campaign image, or tomb painting 
第14週
 5/26  Semiotics 
第15週
 6/02  Psychoanalysis 
第16週
 6/09  Feminism & art theory 
第17週
 6/16  off