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Course title |
Introduction to the History of Japanese and Korean Pop Songs |
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Semester |
104-2 |
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Designated for |
VARIOUS PROGRAM Asian Art Program |
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Instructor |
YAMAUCHI FUMITAKA |
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Curriculum Number |
Music5070 |
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Curriculum Identity Number |
144EU0980 |
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Class |
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Credits |
3 |
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Full/Half
Yr. |
Half |
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Required/
Elective |
Elective |
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Time |
Wednesday 2,3,4(9:10~12:10) |
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Remarks |
Restriction: juniors and beyond
The upper limit of the number of students: 15. |
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Course introduction video |
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Table of Core Capabilities and Curriculum Planning |
Association has not been established |
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Course Syllabus
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Please respect the intellectual property rights of others and do not copy any of the course information without permission
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Course Description |
An introductory course on the history of Japanese and Korean popular songs and music. It will focus more on Japanese history, but it will also explore respective developments in both Japan and Korea from a comparative perspective as well as cultural exchanges between the two countries. It is intended to facilitate discussions about connections and particularities of popular music and culture in East Asia including Taiwan. |
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Course Objective |
The main purposes of this course are to introduce popular hits and their social contexts in a chronological order; to familiarize students with actual sounds and cultural backgrounds; and to enable them to reflect upon the Taiwanese situation in an auditory manner. The instructor provides handouts and sound clips as well as lyrics and notations when necessary. Further materials will be introduced to interested students. |
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Course Requirement |
Language Proficiency:
The lecture is held in English. Throughout the course, several main textbooks written in Japanese, Korean and English will be consulted. The ability to read either Japanese or Korean materials is preferred but not required. The instructor will encourage students to understand historical processes with translations and audio-visual materials. Students are expected to be active in learning these languages.
Assignments:
1. At least quarter to half page weekly response notes on listening examples from Week4 on. Due by 8pm on the day before each lecture day. Examples to be uploaded on CEIBA well before each next lecture. Students are expected to listen to the sound clips carefully so as to understand lectures and join class discussions.
2. A class presentation at the end of the semester. Before that, all students will talk with the instructor to clarify a topic around the midterm period. A consulting schedule to be announced in advance.
3. 5 - 10-page term paper based on class presentation. Due by 1/10 by email or by hand. |
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Student Workload (expected study time outside of class per week) |
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Office Hours |
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Designated reading |
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References |
In Japanese
1. 北中正和, 2003 [1995], 《?補 ??????：?後歌?曲史》, 平凡社?????? (KITANAKA Masakazu, Japanese Songs: A History of Pop Tunes Since 1945, Enlarged Edition) (總圖2F藝術資料區 913.631 1151 2647016)
2. 田家秀樹, 2005 [1999], 《??J-POP: 1945-2004》, 朝日文庫 (TAKE Hideki, Reading J-Pop: 1945-2004, Revised Edition)
3. 烏賀陽弘道, 2005, 《J-Pop??何?─巨大化??音??業》, 岩波新書 (UGAYA Hiromichi, What is J-Pop: The Outgrowing Music Industry)
4. 佐藤良明, 1999, 《J-Pop進化論─〈????節〉??〈Automatic〉?》, 平凡社新書 (SATO Yoshiaki, The Evolution of J-Pop: From Yosahoi Bushi to Automatic )
5. 菊池清?, 2008, 《日本流行歌?遷史》, 論創社 (KIKUCHI Kiyomaro, The Historical Transformations in Japanese Popular Song)
In Korean
1. LEE Young Mi, 2006 [1998], Korean Popular Song: A History, Revised Edition.
2. Park Chan Ho, 2009, A History of Korean Popular Songs Vol.2: 1945-1980.
3. SHIN Hyun Jun, 2005, The Archeology of Korean Pop 1960, 1970, 2 volumes.
In English
1. Timothy J. Craig, 2000, Japan Pop!: Inside the World of Japanese Popular Culture, M E Sharpe Inc
2. Bonnie Wade, 2004. Music in Japan: Experiencing Music, Experiencing Culture, New York: Oxford University Press.
3. Keith Howard ed., 2006, Korean Pop Music: Riding the Korean Wave, Global Oriental.
4. Carolyn S. Stevens, 2007, Japanese Popular Music: Culture, Authenticity and Power, Routledge
Supplementary Readings (chronological order in each language):
北川純子編, 1999, 《鳴?響?性─日本??????音???????》, 勁草書房 (KITAGAWA Junko ed. Resounding Sex: Japanese Popular Music and Gender)
南田勝也, 2001, 《??????????社??》, 青弓社 (MINAMIDA Katsuya, The Sociology of Rock Music)
藍川由美, 2002, 《〈演歌〉????》, 文春新書 (AIKAWA Yumi, Encouragement of ‘Enka’)
生明俊雄, 2004, 《?????音??誰?作???─音??業?政治?》, 勁草書房 (AZAMI Toshio, Who Makes Popular Music: The Politics of Music Industry)
毛利嘉孝編, 2004, 《日式韓流─〈冬????〉?日韓大?文化?現在》, ???書房 (MORI Yoshitaka ed., Japanese-Korean Wave: Winter Sonata and the Current Situation of Popular Culture in Japan and Korea)
東谷護, 2005, 《進駐軍?????歌?曲?─?後日本?????音??黎明期》, ???書房 (TOYA Mamoru, From the Clubhouses of the U.S. Occupation Forces in Japan to Japanese Pop Song: The Early Stage of Postwar Japanese Popular Music)
三井徹監修, 2005, 《?????音????????》, 音?之友社 (MITSUI Toru ed. Popular Music and Academism)
小泉恭子, 2007, 《音?????若者》, 勁草書房 (KOIZUMI Kyoko, Youngsters Put On Music)
千葉優子, 2007, 《????選??日本人》, 音?之友社 (CHIBA Yuko, Japanese Chose DoReMi)
宮入恭平, 2008, 《??????文化論》, 青弓社 (MIYAIRI Kyohei, Understanding Japanese Live House Culture)
宋安鐘, 2009, 《在日音??100年》, 青土社 (Song An Jong, One Hundred Years of Zainichi (Korean Residents in Japan) Music)
SHIN Hyun Jun, 2002, Global, Local, The Korean Music Industry
MIN Kyung Chan, 2006, Textbook Series for Youngsters - The History of Korean Music: Focusing on Western Music.
Taylor Atkins, 2001, Blue Nippon: Authenticating Jazz in Japan, Duke University Press.
Christine Yano, 2002, Tears of Longing: Nostalgia and the Nation in Japanese Popular Song, Harvard University Press.
Koichi Iwabuchi, 2002, Recentering Globalization: Popular Culture and Japanese Transnationalism, Duke University Press.
Ian Condry, 2006, Hip-Hop Japan: Rap and the Paths of Cultural Globalization, Duke University Press.
Eun-Young Jung, 2007, “Transnational Cultural Traffic in Northeast Asia: The “Presence” of Japan in Korea’s Popular Music Culture,” Unpublished Ph.D. Dissertation, University of Pittsburgh. |
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Grading |
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